blade runner 2049 roger deakins interview

#Blade runner 2049 roger deakins interview movie#

He loves the immediacy of controlling a camera, and if you are a cinematographer with a love for movies, you may agree. You have the viewfinder against your eye, and the camera “in your hand.” You see what the viewer will see.

I think I would agree from the standpoint that you see everything before anyone else. OPERATE THE CAMERA AS MUCH AS POSSIBLEĭeakins believes the camera operator is the best job on set. When it is dangerous, support your cast and crew. The rare exceptions almost always involve stunt work, where the use of multi-cam can mean important images aren’t missed and can keep coworkers from replicating dangerous stunts over and again. Multi-cameras are one way to film your scenes, but not for Deakins. How can you show the outside light peeking through a door hole when you also have to light the characters face for the other camera or get a shadow on the water when you also have to record the close-up. They use visuals, camera movement, sounds design, and film grammar all to their advantage whenever possible. They instead have elected to absorb the principles of early television which prioritizes writing and efficiency rather than aesthetics.ĭeakins does not, and neither do the directors that he works with.

#Blade runner 2049 roger deakins interview movie#

Many films don’t do this, and that’s why they don’t deliver.Ĭinema is different from television because of the economics, but in the last ten years, that gap has slowly been closing.Ĭuriously enough, some movie makers have lost sight of why television is catching up. This may be the most important advice you’ll ever hear.

TAKE ADVANTAGE OF T HE FILM MEDIUMĭeakins works with directors who take advantage of the medium. Israel, Esq.) Janusz Kaminski Dan Laustsen (The Shape of Water) Rachel Morrison (Mudbound) Hoyte Van Hoytema. The way he lights scenes, the camera placement, the number of cameras, the lenses, and directors he works with all matter more to him than film vs digital. Roger Deakins (Blade Runner 2049) Robert Elswit (Suburbicon, Roman J. Some filmmakers are very specific about their preference, but Deakins is focused elsewhere. Both have their advantages, and Deakins recognizes this.